Iconoclasms Past and Present

Though Byzantine Christians may be forgiven for thinking they have a monopoly on the concept of iconoclasm, in fact the destruction of images is ecumenical in the worst sort of way: it may be found throughout the whole inhabited world, almost invariably connected to a major political change, as James Noyes has convincingly argued. We have, accordingly, been seeing a number of books over the last several years devoted to exploring iconoclasm more widely, within and beyond its Byzantine expressions.

Another such book--first published in 2014--has recently been released in a Kindle version: Iconoclasm from Antiquity to Modernity, eds. Kristine Kolrud and Marina Prusac (Routledge, 2016).

About this book we are told:

The phenomenon of iconoclasm, expressed through hostile actions towards images, has occurred in many different cultures throughout history. The destruction and mutilation of images is often motivated by a blend of political and religious ideas and beliefs, and the distinction between various kinds of ’iconoclasms’ is not absolute. In order to explore further the long and varied history of iconoclasm the contributors to this volume consider iconoclastic reactions to various types of objects, both in the very recent and distant past. The majority focus on historical periods but also on history as a backdrop for image troubles of our own day. Development over time is a central question in the volume, and cross-cultural influences are also taken into consideration. This broad approach provides a useful comparative perspective both on earlier controversies over images and relevant issues today. In the multimedia era increased awareness of the possible consequences of the use of images is of utmost importance. ’Iconoclasm from Antiquity to Modernity’ approaches some of the problems related to the display of particular kinds of images in conflicted societies and the power to decide on the use of visual means of expression. It provides a deeper understanding of the mechanisms of the phenomenon of iconoclasm. Of interest to a wide group of scholars the contributors draw upon various sources and disciplines, including art history, cultural history, religion and archaeology, as well as making use of recent research from within social and political sciences and contemporary events. Whilst the texts are addressed primarily to those researching the Western world, the volume contains material which will also be of interest to students of the Middle East.