Russian Orthodox Images in the 19th-Century West

I have met the author of this forthcoming book several times at conferences over the years, and she is a lovely human being whose papers are always deeply fascinating, as this forthcoming book of hers very much also seems to be. I'm hoping we can arrange an interview about her forthcoming book: Heather Bailey, The Public Image of Eastern Orthodoxy: France and Russia, 1848–1870 (Northern Illinois University Press, June 2020,) 312pp.

About this new book the publisher tells us this:

Focusing on the period between the revolutions of 1848-1849 and the First Vatican Council (1869-1870), The Public Image of Eastern Orthodoxy explores the circumstances under which westerners, concerned about the fate of the papacy, the Ottoman Empire, Poland, and Russian imperial power, began to conflate the Russian Orthodox Church with the state and to portray the Church as the political tool of despotic tsars.

As Heather L. Bailey demonstrates, in response to this reductionist view, Russian Orthodox publicists launched a public relations campaign in the West, especially in France, in the 1850s and 1860s. The linchpin of their campaign was the building of the impressive Saint Alexander Nevsky Church in Paris, consecrated in 1861. Bailey posits that, as the embodiment of the belief that Russia had a great historical purpose inextricably tied to Orthodoxy, the Paris church both reflected and contributed to the rise of religious nationalism in Russia that followed the Crimean War. At the same time, the confrontation with westerners' negative ideas about the Eastern Church fueled a reformist spirit in Russia while contributing to a better understanding of Eastern Orthodoxy in the West.

Orthodox Material Culture

Like most things, the study of Eastern Orthodox aesthetics, anthropology, and material culture lags behind similar treatments given to Western communities. But an important new study looks to fill the gap to some degree: Orthodox Christian Material Culture: Of People and Things in the Making of Heaven by Timothy Carroll (Routledge, 2018), 201 pp,

About this book we are told the following by the publisher:

Although much has been written on the making of art objects as a means of engaging in creative productions of the self (most famously Alfred Gell’s work), there has been very little written on Orthodox Christianity and its use of material within religious self-formation. Eastern Orthodox Christianity is renowned for its artistry and the aesthetics of its worship being an integral part of devout practice. Yet this is an area with little ethnographic exploration available and even scarcer ethnographic attention given to the material culture of Eastern Christianity outside the traditional ‘homelands’ of the greater Levant and Eastern Europe.

Drawing from and building upon Gell’s work, Carroll explores the uses and purposes of material culture in Eastern Orthodox Christian worship. Drawing on three years of ethnographic fieldwork in a small Antiochian Orthodox parish in London, Carroll focuses on a study of ecclesiastical fabric but places this within the wider context of Orthodox material ecology in Britain. This ethnographic exploration leads to discussion on the role of materials in the construction of religious identity, material understandings of religion, and pathways of pilgrimatic engagement and religious movement across Europe.

In a religious tradition characterised by repetition and continuity, but also as sensuously tactile, this book argues that material objects are necessary for the continual production of Orthodox Christians as art-like subjects. It is an important contribution to the corpus of literature on the anthropology of material culture and art and the anthropology of religion.

Eastern Orthodox Divorce and Remarriage

It was a good four years ago now, perhaps longer, that I was first asked by a Catholic publisher for my thoughts on the debate over marriage, divorce, and re-marriage that was then heating up in the Catholic Church. Asked to recommend reliable authors who treated these topics in an Orthodox context, I came up with a short list of names of those who had treated certain aspects in the past, but was aware of just how much work yet needed to be done, and how easily it could be done badly.

What was then lacking, and has since been remedied, is a wide-ranging, historically comprehensive, and scholarly judicious study of these endlessly messy and complicated matters. Such a study has now emerged in very impressive form, and based on my read of it, it promises to be an enormously helpful book, not least for its clarity, careful sifting of sources, and vast bibliography (running more than 60 pages!), inter alia. In the coming weeks I hope to run an interview with Kevin Schembri, author of Oikonomia, Divorce, and Remarriage in the Eastern Orthodox Tradition (Valore Italiano SRL, 2017), 336pp.

About this book and its author the publisher tells us the following:

Over the last fifty years, the Eastern Orthodox position on oikonomia, divorce and remarriage was the subject of numerous studies. This volume builds on this research and attempts to offer a comprehensive systematic presentation of these topics. By doing so, it adds to the already rich tradition of the Eastern Orthodox Churches, and presents the Western Churches with a valuable resource in their pursuit of ecumenical dialogue with the Orthodox East, in their dealing with the ever-growing reality of mixed marriages, and in their ministry to the divorced and remarried members of their faithful.

Kevin Schembri is a lecturer in canon law at the University of Malta. He holds a licentiate in sacred theology from the same university and a doctorate in canon law from the Pontifical Gregorian University. He is a Catholic priest and serves as promoter of justice and defender of the bond for the Archdiocese of Malta.