To Attain the Full Stature of the Perfect Christ

Strolling through the Oxford University Press of forthcoming publications is always a delight, but never more so than when espying names of friends and colleagues, as here: Human Perfection in Byzantine Theology: Attaining the Fullness of Christ by Alexis Torrance  (Oxford UP, December 2020, 256pp.)

Alexis and I gave papers at the Eighth Day Institute in Kansas just over a year ago--though it now feels like another aeon in a distant galaxy far, far away! If you don't know the lovely people of the Institute, and the unique and hopeful and admirable work they are doing--built around that fantastic bookstore--then stop at once and go here.

I've written to Alexis asking for an interview upon publication of his book, about which the publisher tells us this:

To what kind of existence does Christ call us? Christian theology has from its inception posited a powerful vision of humanity's ultimate and eternal fulfilment through the person and work of Jesus Christ. How precisely to understand and approach the human perfection to which the Christian is summoned is a question that has vexed the minds of many and diverse theologians.

Orthodox Christian theology is notable for its consistent interest in this question, and over the last century has offered to the West a wealth of theological insight on the matter, drawn both from the resources of its Byzantine theological heritage as well as its living interaction with Western theological and philosophical currents. In this regard, the important themes of personhood, deification, epektasis, apophaticism, and divine energies have been elaborated with much success by Orthodox theologians; but not without controversy.

Human Perfection in Byzantine Theology addresses the question of human perfection in Orthodox theology via a retrieval of the sources, examining in turn the thought of leading representatives of the Byzantine theological tradition: St Maximus the Confessor, St Theodore the Studite, St Symeon the New Theologian, and St Gregory Palamas. The overarching argument of this study is that in order to present an Orthodox Christian understanding of human perfection which remains true to its Byzantine inheritance, supreme emphasis must be placed on the doctrine of Christ, especially on the significance and import of Christ's humanity. The intention of this work is thus to keep the creative approach to human destiny in Orthodox theology firmly moored to its theological past.

Theodore the Studite on Icons

It's been almost 40 years since St. Vladimir's Seminary Press published a translation of St. Theodore the Studite's On the Holy Icons. Apart from that, the only other work came out in 2015: another translation of his Writings on Iconoclasm.

But what we have not had until now has been a wide-ranging historical context in which to consider him and this work of his. That lacuna will be remedied in July with the publication of St Theodore the Studite's Defence of the Icons:Theology and Philosophy in Ninth-Century Byzantium by Torstein Theodor Tollefsen (Oxford UP, 2018), 208pp.

About this book the publisher tells us the following:

St Theodore the Studite's Defence of the Icons provides an investigation of the icon-theology of St Theodore the Studite, mainly as it is presented in his three refutations of the iconoclasts, the Antirrhetici tres adversus iconomachos. Torstein Theodor Tollefsen explores Theodore's 'philosophy of images', namely his doctrine of images and his arguments that justify the legitimacy of images in general and of Christ in particular. Tollefsen offers a historical, theological, and philosophical exploration of Theodore's doctrine of images and his arguments justifying the legitimacy of images and of Christ. In addition to the main elements of Theodore's defence of the icon, like the Christological issue, the relation between image and prototype, the question of veneration, his explanation of why we may say of an image that 'this is Christ', and his innovative thinking on the representative character of the icon, the book has an introduction that places Theodore in the history of Byzantine philosophy: He has some knowledge of traditional logical topics and is able to utilize argumentative forms in countering his iconoclast opponents. The volume also provides an appendix which shows that the making of images is somehow natural given the character of Christianity as a religion.

Theodore the Studite on Iconoclasm

I've received a good half-dozen or more catalogues in the mail this month, advertising books to be released by Christmas or into the new year. Included is a new translation of one of the two best-known patristic writers refuting the case against icons. Paulist Press tells me this title is available in November, but Amazon has a February 2015 date. In either case, continuing in the valuable Ancient Christian Writer series, is Theodore the Studite: Writings on Iconoclasm (Ancient Christian Writers No.69), trans. Thomas Cattoi (Paulist, 2014), 320pp.


About this book we are told:

Famous for his writings exploring the nature and purpose of the monastic life, Theodore the Studite (759 826) was also the author of numerous apologetic works on the theology of the icon, where prose and poetry brought together theological depth and mystical inspiration. In the context of the iconoclast revival that swept through Byzantium in the early years of the ninth century, Theodore was the chief advocate of the legitimacy of icon veneration, and argued for the fundamental congruence between this practice and the Christological vision of the early councils. As John Damascene had done during the eighth century, Theodore envisages the icon as the synthesis of the Christian faith in the incarnation; its veneration is not only the litmus test of doctrinal orthodoxy, but it is also an integral part of the spiritual practice of the Christian, for whom Christ s resurrection points towards the eschatological redemption of the cosmos.

This volume makes available in English for the first time all the writings by Theodore on the subject of iconoclasm. It will be of great interests to scholars and students of early Christian theology and spirituality, as well as to anyone eager to explore the relationship between spiritual practice and the visual arts.