The Eternally Whispering City?

"Rome" looms large in the imagination of all Christians, and not just Catholics. Anyone who has read, e.g., Lutheran or Calvinist polemics of the sixteenth century, or Orthodox polemics of our own day, or, for that matter, certain Catholic dissidents today, knows that "Rome" is often a short-hand for what is as often as not said to be a distant, oppressive, dictatorial, and hopelessly retrograde regime of celibates ruining life for the rest of us. (The best response to that tedious nonsense, I think, was that of Walker Percy: "without 'Rome' what you have is California.") "Rome" thus functions as what Charles Taylor calls a "social imaginary." Too often, however, our imagination about Rome is at a considerable remove from the reality as, e.g., John Allen and Thomas Reese have shown.

Now a new book is out to help us peel back the myriad layers that make up the eternal city: R.J.B. Bosworth, Whispering City: Rome and Its Histories (Yale University Press, 2011), 358pp + 38 illustrations.
About this book, the publisher tells us:

In Civilization and Its Discontents, Sigmund Freud claimed that Rome must be comprehended as "not a human dwelling place but a mental entity," in which the palaces of the Caesars still stand alongside modern apartment buildings in layers of brick, mortar, and memory. "The observer would need merely to shift the focus of his eyes, perhaps, or change his position, in order to call up a view of either the one or the other."

In this one-of-a-kind book, historian Richard Bosworth accepts Freud's challenge, drawing upon his expertise in Italian pasts to explore the many layers of history found within the Eternal City. Often beginning his analysis with sites and monuments that can still be found in contemporary Rome, Bosworth expands his scope to review how political groups of different eras—the Catholic Church, makers of the Italian nation, Fascists, and "ordinary" Romans (be they citizens, immigrants, or tourists)—read meaning into the city around them. Weaving in the city's quintessential figures (Garibaldi, Pius XII, Mussolini, and Berlusconi) and architectural icons (the Vatican, St. Peter's Basilica, the Victor Emmanuel Monument, and EUR) with those forgotten or unknown, Bosworth explores the many histories that whisper their rival and competing messages and seek to impose their truth upon the passing crowds. But as this delightful study will reveal, Rome, that magisterial palimpsest, has never accepted a single reading of its historic meaning.