"Let books be your dining table, / And you shall be full of delights. / Let them be your
mattress,/
And you shall sleep restful nights" (St. Ephraim the Syrian).


Showing posts with label St. Vladimir's Seminary. Show all posts
Showing posts with label St. Vladimir's Seminary. Show all posts

Monday, November 23, 2020

Schmemann and Florovsky's Correspondence

I just got the new (and very thick!) catalogue of St. Vladimir's Seminary Press in the mail. There are, as you can imagine, all sorts of gems in it, but the first that leapt out concerns two pivotal figures I first read and studied in one of my doctoral classes almost 20 years ago now: Alexander Schmemann and Georges Florovsky. Both are towering figures of 20th-century Orthodoxy, and both are always fascinating to read. 

Both men entered into a post-war correspondence that has just been published under the translation of Paul Gavrilyuk (whose previous superlative study of Florovsky I discussed in detail here): On Christian Leadership: the Letters of Alexander Schmemann and Georges Florovsky (1947-1955) (New York: SVS Press, 2020), 416pp.

I am a great reader of and believer in the value of letters, diaries, and journals and the utility of all of them to scholarship. So I shall greatly look forward to reading this new collection, about which the publisher tells us this:

Fr Georges Florovsky (1893-1979) and Fr Alexander Schmemann (1921-1983) profoundly shaped twentieth-century Orthodox theology. Their correspondence, edited and translated for the first time, provides a unique window into their theological visions, leadership styles, and interactions with their contemporaries. Most of the letters were written when Florovsky had recently moved to the US to lead and organize the fledgling St Vladimir s Orthodox Theological Seminary in New York, while Schmemann was still teaching at the St Sergius Orthodox Theological Institute in Paris. The correspondence also reveals the circumstances of Schmemann s move to the US at the request of Florovsky, and offers glimpses into their subsequent collaboration at St Vladimir s Seminary until their tragic rift in 1955. Reminiscent of the style of Schmemann s Journals, the letters lay out the challenges of leadership with brutal honesty and good humor, bearing an eloquent testimony to their authors dedication to launching a new era of seminary education.

Wednesday, July 4, 2012

Arvo Pärt

The music of Arvo Pärt continues to attract widespread attention, including from Orthodox Christians. St. Vladimir's Seminary was recently awarded a substantial grant from the Henry Luce Foundation to put together "the 'Arvo Pärt Project' as including a unique concert and lecture venture as well as publications about the composer’s life and works," according to the SVOTS press release. Now a new book about him has just been released by Cambridge University Press: Andrew Shenton, ed., The Cambridge Companion to Arvo Pärt (Cambridge UP, 2012), 272pp. 

About this book the publisher tells us:
Arvo Pärt is one of the most influential and widely performed contemporary composers. Around 1976 he developed an innovative new compositional technique called 'tintinnabuli' (Latin for 'sounding bells'), which has had an extraordinary degree of success. It is frequently performed around the world, has been used in award-winning films, and pieces such as Für Alina and Spiegel im Siegel have become standard repertoire. This collection of essays, written by a distinguished international group of scholars and performers, is the essential guide to Arvo Pärt and his music. The book begins with a general introduction to Pärt's life and works, covering important biographical details and outlining his most significant compositions. Two chapters analyze the tintinnabuli style and are complemented by essays which discuss Pärt's creative process. The book also examines the spiritual aspect of Pärt's music and contextualizes him in the cultural milieu of the twenty-first century and in the marketplace.
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