Powerful Paintings in Late Antique Christianity

As I have noted on here over the years, and in public lectures about iconoclasm and iconographic history, all artwork is political, and some of it powerful enough to provoke, or at least accompany, political change. As James Noyes first remarked, iconoclasm is always a herald to political change.

This month sees the release of a new book that reminds us of the power of pictures: Late Antique Portraits and Early Christian Icons: The Power of the Painted Gaze by Andrew Paterson (Routledge, June 2022), 212pp. 

About this book the publisher tells us this:

This book focuses on the earliest surviving Christian icons, dated to the sixth and seventh centuries, which bear many resemblances to three other well-established genres of 'sacred portrait' also produced during late antiquity, namely Roman imperial portraiture, Graeco-Egyptian funerary portraiture and panel paintings depicting non-Christian deities.

Andrew Paterson addresses two fundamental questions about devotional portraiture - both Christian and non-Christian - in the late antique period. Firstly, how did artists visualise and construct these images of divine or sanctified figures? And secondly, how did their intended viewers look at, respond to, and even interact with these images? Paterson argues that a key factor of many of these portrait images is the emphasis given to the depicted gaze, which invites an intensified form of personal encounter with the portrait's subject.

The book will be of interest to scholars working in art history, theology, religion and classical studies.

Divine Inspiration in Byzantium

As noted earlier in the week, interest in all aspects of Byzantine art and its history remains high. Late next month another scholarly work will deepen our understanding: Divine Inspiration in Byzantium: Notions of Authenticity in Art and Theology by Karin Krause (Cambridge UP, July 2022), 350pp. About this book the publisher tells us this:

In this volume, Karin Krause examines conceptions of divine inspiration and authenticity in the religious literature and visual arts of Byzantium. During antiquity and the medieval era, “inspiration” encompassed a range of ideas regarding the divine contribution to the creation of holy texts, icons, and other material objects by human beings. Krause traces the origins of the notion of divine inspiration in the Jewish and polytheistic cultures of the ancient Mediterranean and Near Eastern worlds and their reception in Byzantine religious culture. Exploring how conceptions of authenticity are employed in Eastern Orthodox Christianity to claim religious authority, she analyzes texts in a range of genres, as well as images in different media, including manuscript illumination, icons, and mosaics. Her interdisciplinary study demonstrates the pivotal role that claims to the divine inspiration of religious literature and art played in the construction of Byzantine cultural identity.

Byzantine and Russian Icons

Interest in Byzantine iconography has seemed to remain constant for a decade and more now. Later this year we will have a new book form a docent at the Museum of Russian Icons in Clinton, Massachusetts, which I visited and greatly enjoyed several years ago now: Visible Image of the Invisible God: A Guide to Russian and Byzantine Icons by Dennis J. Sardella (October 2022), 192pp. 

About this book the publisher tells us this:

A comprehensive and beautifully illustrated guide to Russian icons — the "beating heart of the Christian East" 

Religious icons have been at the spiritual heart of the Christian East for nearly two thousand years. Their mysterious, peaceful quality and almost magnetic power can stop us in our tracks and draw our gaze, without us even knowing why. The sophisticated composition and symbolism of icons emphasize that their subjects are inhabitants of another, transcendent, world. They are not simply the art of the Christian East, but the expression and pulse of its spirituality. And on a personal level for many Christians of all backgrounds, icons are not only objects of admiration, but a deep wellspring of meditation, reflection, and veneration. 

A docent at the Museum of Russian Icons in Clinton, Massachusetts, for many years, Dennis J. Sardella now offers an inviting guide to the most famous icons in the collection. This vibrantly illustrated book will:  

• Introduce you to icons and instill a desire for a deeper appreciation of them 

• Teach you about their origin, their historical evolution, their complex symbolic language, and their role in the spiritual and liturgical life of the Eastern Churches, both Orthodox and Catholic 

• Answer your questions about when and where the first icons were created 

• Show the physical and spiritual steps in their creation 

• Explain the different types of icons, the symbolism that is key to deciphering them, as well as their role in Eastern Christian spirituality and liturgy. 

Those who are knowledgeable about Russian icons and Byzantine icons, as well as newcomers, will find Visible Image of the Invisible God to be a treasured resource.